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On this page you will find a complete list of CD Reviews, and Interviews. Thanks to all the websites for their amazing support!

4 out of 5 stars

My boss seems to like my reviews for instrumentalists; maybe I am doing something right! So here we go. “Heartstrings”, a release from a California instrumental guitarist Ty Oliver, is up and queued. I never heard of him That’s OK! I like newbie’s to the scene. 1st cut “Sunset Sky” is a very impressive solo effort. There is lots of melody with not too much table dancing which can get very boring. The tone of Oliver’s gator has that Satch and Vai influence but with Oliver’s own flavor which makes it interesting. This song flows well and also lets Oliver demonstrate his craft. Nice!

“Chasing Angels” keeps things moving along nicely but the mix has a little too much focus on the guitar. There is also not much from the rhythm section to complement the guitar but overall a nice composition.

“Fade Into You” calms things down a bit with a real nice instrumental ballad that makes a firm statement. That’s pretty hard to achieve from a guitarist these days. The song actually breathes, which is what I think makes an instrumental successful. Oliver seems to understand the concept that less is more when needed, were a lot of folks today don’t get that. Ty Oliver really shows how to move a tune along without choking it, like in the song “Made Of Memories” which is full of catchy melodies and lots of flare. Dude can play!

“Heartstrings” is the title of the CD and the next cut where Ty Oliver gets to show off a bit. The song creates a statement with good dynamics and feel. Remember that word?

Ty Oliver definitely has taste and feel, like in the next tune “When Then was Now” Oliver boils off a bit, but holds things together nicely without letting it get away! Ty Oliver brings in a few friends on the next song “Space Jam” to rip up things for a bit. Matt Cafissi, Neil Rambaldi and Matt Sotelo the guest artists, blow this song into pieces! That’s what making music and having friends that are just as compassionate about music is all about!

Cool Tune and nice work boys!

As much as I hate to say it but if, you know my opinions’ and background. I speak the truth especially when it comes to the backbone of the band. I find this CD very weak in the drum dept. in sound and in performance where it is necessary to have a strong presence that can put the soloist’s hard driven effort over the top. Bass playing is fine but gets lost to many times in the mix.

The rest of the CD has great taste and super playing from a soon to be known guitarist, Ty Oliver! “Heartstrings” is a worthy investment and a good collection starter from an up and coming.

Nice Job!

Rock On!

Q: Hello Ty, we met each other a few years ago during a first MTI interview, can you remember that?

A: Hey Stefan! I totally remember, it was late 2004 right before I released my first CD “Healed Through Time” You were kind enough to support the music before I had even released my debut, thanks!!

A: I’m doing great, the new CD “Heartstrings” is out, I’ve been playing some fun shows with the band, we have a music video out for the song “Made Of Memories” life is good!

Q: As a result of your new album entitled “Heartstrings”, I’d like to congratulate you first of all Ty. I guess this is your first solo album ever released. Your debut was awesome to me, well the continuator is even better man. Please promote your own album to all those that come take a look at the MTI homepage?

A: Yes, the new CD “Heartstrings” is out now, and it’s actually the second release I’ve put out. The first being “Healed Through Time” in 2005. The new CD is 10 brand new songs of Melodic, Heartfelt Instrumental Rock. I’d say this new CD has a bit more of a tighter, more dynamic, more focused sound than the first. I feel it’s a stronger release, and a much better representation of where I am musically these days. I think it’s a fresh sound in a genre saturated with guitarists more concerned with playing as fast as they can than writing good music.

Q: To me, “Heartstrings” is more professional minded…you were a guitar god on “Healed Through Time”, the new one breeds more detailed perfection, world class ‘full shred tactics’. Explain your progress in all those beautiful skills.

A: Thank you Stefan, I appreciate that. I agree, it’s certainly more polished than the first CD. I think it has a lot to do with the fact that I wrote and recorded most of the first release in 2001, and 2002. That was a long time ago! The new CD I composed and tracked within the last 2 years, some songs I tracked and composed in the fall of 2007. So it’s much more up to date. Plus my musical influences have changed and grown quite a bit over the last several years. I get a big influence from bands or artists like The Goo Goo Dolls, Lifehouse, Matchbox 20, Michelle Branch, etc. Honestly I listen to more pop/rock vocal music than Instrumental stuff. As for the lead guitar work, that is a direct influence from Joe Satriani and Steve Vai. Those two players inspire me more than any other.

Q: How the songs have come about actually? There sits enormously much feelings in your works…must be a very important element for you, right?

A: Yes, absolutely! Being expressive and making music with feeling are two very important elements that I aim to incorporate in the music I make. Inspiration comes from all kinds of different places, Love, Heartache, loss, or just hearing a beautiful piece of music and getting inspired to create because of it. The feeling just sort of comes out I guess. I just do my best to make the music I’m creating express the feelings in my heart.

Q: In my review, I’ve mentioned you don’t need a singer while playing. You are able to let sing your guitar instead. At some of the songs, you can wink a tear … later on, you’re able to make us feel good with some more up-tempo rhythms. What’s the story behind Ty?

A: Again, thank you for the feedback. Well when writing songs, I always try and write a melody that is going to do the song justice. It’s not easy. I struggle with every song I write, almost every time. It has to be catchy, and be expressive. I don’t have a trick up my sleeve, or a real method, I just jam over a song until I come up with something I feel fits, and sounds good. I hope that what comes out, translates to the listener and makes them feel something. I’m never sure, so when I read your review or someone writes and tells me how much they enjoy a song, or how it makes them feel, then I feel like I’ve accomplished what I set out to do. Writing songs is hard work, but when it all comes together and people react positively, it’s worth all the effort.

Q: Your favourite songs on “Heartstrings” are…? From where the title actually?

A: I can’t pick out a favorite, I like them all for different reasons. I had that title in mind for the last couple of years, and had always intended to use it for a CD title. When I started writing songs for this CD, I had the main verse Rhythm Guitar Riff for the song that became “Heartstrings” and I used to just sit and strum it over and over. I had just met my girlfriend, and when I would miss her, I’d play that riff. It always helped me feel better. The more that song came together, the title just fit that song perfectly.

Q: How the recordings have gone. How much time did it took before you were satisfied with the final result?

A: It was a long process unfortunately. It started out in 2006, and wrapped in January of this year (2008) There was a long gap of time where it was completely on hold. I had scored a record deal in April of 2006, and the plan was to enter the studio in the fall of 06 to record. I Began tracking in October of 2006 at Legion Studios. Things were going great, but the record company I had signed with flaked out and wouldn’t pay for the sessions they had promised, and I had to put everything on hold until I could get the money together to continue. It was very frustrating! I finally was able to restart the project in September of 2007 at a new studio, Synergy Sound. I had also invested in some recording gear of my own over the summer, and had written and recorded the songs “Fade Into You” and “Let Go” We re-tracked almost all the guitars, and bass. We used some of the original drum tracks from the previous sessions, as well as some guitars I had redone at home. Everything was mixed and mastered at Synergy Sound. I’m very happy with the end result!

Q: The album also features a few guest musicians like Matt Cafissi, Neil Rambaldi and Matt Sotello. Can you introduce these guys? To be honest, I never heard of them before so it should be good to know some more about them?

A: Matt Cafissi and Neil Rambaldi are in my opinion two of the best Guitarists on the Instrumental scene. Straight up, these guys should be household names. I found both of them through surfing the net, and was just blown away by their playing. I bought both of their CD’s immediately after hearing the tracks on their websites. Over time, I began keeping in contact with them through email and myspace, and I found that they were both not only great musicians, but great people as well. Very enthusiastic and supportive of the guitar scene. Definitely check them out, you won’t be disappointed! I’m honoured that they were nice enough to contribute their time and talent the song.

Matt Sotelo is a long time friend, and one of the best musicians I have ever had the pleasure of knowing. He is the main guitarist, songwriter and mastermind behind the Progressive Death Metal Band, Decrepit Birth. Matt actually recorded and mixed my first CD, as well as play some Bass and Drums on “Healed Through Time” He also played some Bass and recorded the drums for the new CD “Heartstrings” Matt has had a big influence on my playing since the beginning. I’ve always looked up to his professionalism, and extreme musical talent.

Q: You featured on Mike Cafissi’s “All The Little Things and Decrepit Birth’s ‘Diminishing Between Worlds”, right? Tell us about Ty?

A: Yes, I’m really excited about getting to be a part of their CD’s! Matt Cafissi asked me to record a quick solo for his track “Inside Out” from his new CD “All the Little Things” I’m in there with several other guitarists as part of a long jam, came out really good! His new CD is amazing, and I’m so happy to be on it. I also recorded a solo for Decrepit Birth on their track “The Enigmatic Form” from their new CD “Diminishing Between Worlds” it’s an Instrumental song, and I play the last lead break right before the song ends. It came out great, I had a fun time working on it. Again, I’m so grateful that I had the opportunity to play on these songs!

Q: What about live performances? Besides your guitar duties on your albums, you’re also in charge as keyboardist. How becomes that solved on stage giving a concert and who takes care of the bass and drum works than?

A: The keyboards are there to enhance the recordings, and live we play as a 3 Piece. The Bass is handled by Bobby Burns, who played on 2 of the tracks from the Heartstrings CD “Made Of Memories” and “When Then Was Now” On drums is Glenn Behanna, he played on 4 tracks from the “Heartstrings” CD. Both of them are great musicians who bring a ton of energy and showmanship to the stage. We always have a blast performing!

A: We just recently played a couple of shows in Southern California, as well as a show in Vegas. It was really fun getting to do a quick road trip and play 3 shows in a row. We’re always playing locally, so getting to get out of town and play in some new venues was a blast. I want to do a full tour opening for a headlining act, that’s my short term goal. It’ll happen, only a matter of time.

A: It varies from gig to gig. We’ve played to a packed house, as well as a played to couple of friends and the bartender ha ha…

Q: Something to say about the endorsements like Mills Acoustic, Guitar Star, …?

A: Currently, I’m Endorsed by MILLS Acoustics, Stan Hinesley Pickups, Guitarstar Wear, and Sfarzo Guitar Strings. I’ve been very fortunate to have some great companies and nice people believe in me and the music enough to have me represent their product. MILLS Acoustics make the best Guitar Speaker Cabinets in the business, and have treated me so well I couldn’t thank them enough. Stan Hinesley Pickups are a big part of my tone live, as well as in the studio. You can hear them used all over the new “Heartstrings” CD. Guitarstar Wear makes great apparel for the Musician, as well as the Rockstar in everyone. Sfarzo Strings are US made strings that play sound and play great. Check these great companies out at the following links-

A: Absolutely! They provide further support and exposure, as well as provide me with great products that help me look and sound my best!

A: More music, bigger and better shows, this is only the beginning for me as far as I’m concerned. There’s a lot I want, and plan to accomplish before I feel I’ve run my course. Stay tuned!

Q: That’s it for now Ty. Nothing left to say than wishing you the very best, lots of fun, pleasure and success with your career as multi musician. Any last comments before leaving?

A: Thank you again for the support and the opportunity to be on your site. I really appreciate it. Thanks to all the readers and fans as well, you guys are the best!

Northern California native guitarist, Ty Oliver, turned some heads back in 2005 when he released his debut solo, instrumental album Healed Through Time. The comparisons to Satriani and Vai were plentiful and rightly so. Now, three years later, Oliver returns with a follow-up release in Heartstrings and proves that he has the songwriting skills to be more than a “Young Steve Vai.”

Merriam-Webster’s dictionary defines the term “heartstrings” as “the deepest emotions or affections,” which seems like an apropos title for this release, as Heartstrings sees Oliver focusing on more of a melodic, emotion-filled approach than its predecessor release. This translates into a few more passive moments and the fact that Oliver focuses not on “melting your face off,” but applying more attention to song structure and entertainment. This translates into some spectacular melodies (e.g., on opener “Sunset Sky” and the track “Made Of Memories”) that are memorable and actually tug at the listener’s emotions … and dare you say it … “Heart Strings.”

The memorable album opener in “Sunset Sky” is followed by the equally impressive “Chasing Angels,” which opens with some harmonics and reverb that is reminiscent of Missing Person’s Warren Cuccurullo. Awkwardly, the song seems to ride on a simplistic, straight and narrow drum timing foundation that is thankfully rescued by some impressive fretwork by Oliver. “Made Of Memories” is the true highlight of this disc with its strong, fluid melody and nice “wah-wah”-based guitar lines by Oliver. This track alone represents how mature of a songwriter Oliver has become since his debut.

“When Then Was Now” is another high energy-filled rocker that is fuelled by more artistic expression by Oliver and his guitar. All of this is capped off by the track “Space Jam,” which features guest solos from some of the underground guitar scene’s most talented prospects in Matt Cafissi, and Neil Rambaldi, as well as a guitar appearance by otherwise drummer, Matt Sotelo of Decrepit Birth.

Bottom line, Heartstrings sees Ty Oliver progress more as a songwriter versus delving deeper into unentertaining guitar meanderings. Oliver shows on this release that he can write a memorable melody that leaves an everlasting impression on the listener and propels Oliver into being more than a Steve Vai sound-alike. While the release contains a fair share of slower tracks within it, there is still plenty here for the guitar aficionado to chew on!

This is Ty Oliver's 2nd release, and he takes his guitar stylings even further on "Heartstrings" the melodies on this release are great. these instrumentals sound very emotional, one can just close their eyes, and remember about past memories with these songs. Ty Oliver should be a household name by now, along with the likes of Joe satriani, Steve Vai, and Eric Johnson. standout songs here are "Space Jam" "Heartstrings" "Made Of Memories" "The Dream Of Love" and "Chasing Angels" We should be hearing a lot of Ty Oliver's name in the future.

The music of Ty Oliver could conquer my heart and soul for the very first time back in 2005, it was the year this guy brought out its debut album entitled ''Healed Through Time''. A true 'magical' item for all those maniacs into 'guitar shredding'. I'm fascinated by guitar gods since a couple compilation albums saw the crack of dawn early 80s. Efforts those belonged to the famous ''US Metal'' series, released by legendary Mike Varney and his label Shrapnel Records. Each band had its own 'shredder' on board and that floated me straight to insanity sometimes. I still can remember there was a guy named Derek Frigo on US Metal vol. 3, what you heard was a couple of minutes excellent guitar moves...flammable shreds that took me by the throat right away. From that moment on, I was hooked on boiling guitar shred attacks!

Through the years, my list of great instrumentalists growd on and on...at this moment, this list is very extended, believe me on my word. Old school shredders but also technical guitar - fretboard racers from the nineties and the new millennium are mentioned in the list. To many to mention them all, let's talk about Ty Oliver! As I told you before, this Northern California native brings on the best of the best. I have the inclination to say that Ty is mainly inspired by grandmasters as Satriani / Vai but there is more. Okay, I agree - his influences to pass these mentioned 'guitar gods', I can't deny that but Ty has something more deep within. The way he makes his own guitar moves is phenomenal. What I heard on predecessor ''Healed Through Time'' were awesome instrumental compositions, without singing one single note...this effort touched and surprised me all over. To the question: How you can let speak a guitar - the answer is quite simple, I mean listen to Ty Oliver and the answer will appear.

His new album ''Heartstrings'', once again...I'm a very satisfied man! 10 instrumental compositions, comparable with ''Healed Through Time'' and I like it very much. Ty's still able to let speak his guitar without a problem. So much melody, technical moves and a roller coaster ride of emotions - this album really thrills me. That's typical Ty, some of the songs make you feel happy while a few other tracks brings you in a situation where you can shed a tear instead. You can give your emotions a ticket to a 'free ride' actually. There's one song that features a couple 'guest shredders' such as Matt Cafissi, Neil Rambaldi and Matt Sotelo. Name of that work is 'Space Jam'...if you thought that 'The Ytse Jam' from Dream Theater was great, you should hear this one. The ultimate fight between a couple of excellent 'guitar wizards'...reduce your volume to the maximum and be one with something 'magical'.

''Heartstrings'' is released independently and you know my standpoint about great artists that bring out a fantastic album, self financed unfortunately. One last call to people involved in the world of music, both Rock and Metal please - eyes wide open for a guy like Ty Oliver and numerous other greats! Give them a try in hope to catch a decent record deal. Guitar maniacs looking for loads of outstanding, technical skills played in different moods/emotions and also filled up with nice melodies...make sure to look out for a man called Ty Oliver. One of those 'shredaholics' that make you feel comfortable. Excellent, second album of a world-class instrumentalist with a lot of potential to me

1. Introduce yourself.

Hey everyone, my name's Ty Oliver. I'm an Instrumental Rock Guitarist from Northern California.

2. What kind of equipment do you use?

Ibanez RG guitars, Stan Hinesley Handcrafted Pickups, MILLS Acoustics 4x12 cabs,
ENGL 570 Tube Preamp, Marshall 9100 Tube Power Amp, TC Electronics G-Force Effects Processor, Xotic Effcts BB Preamp pedal, VOX Wah Pedal, Digitech Whammy Pedal, Korg Tuner, and a Rocktron Midi Mate Footswitch.

3. Some of your biggest influences.

Joe Satriani, Steve Vai, The Goo Goo Dolls, Lifehouse, Matchbox Twenty, and various 80's Hairbands.

4. Whats in your CD player right now?

Fuel "Something Like Human"

5. How long have you been performing?

With the current project, just under a year. We're babies ;)

6. Your top 3 venues to play.

Anywhere with a stage, and good sound.

7. No matter how bad, your first concert.(mine was Captain and Tenille...ouch)

My mom took me to see Tom Petty in 1990, Lenny Kravitz opened. I had "Free Falling" stuck in my head for days.

8. Interests other than music.

Mountain Biking, Fitness and Nutrition.

9. Any new music catch your attention lately?

Yeah, there's a lot of good stuff out there these days. The new Fuel CD "Angels and Devils" is good one, love the Daughtry CD, the latest Deadsy album "Phantasmagore" rocks big time. There's more but I'm drawing a blank at the moment.

10. Your drink of choice?

It varies, but my drummer turned me on to Vodka Cranberries since we started playing.

11.Seen any good movies or TV lately?

Blades of Glory is hilarious!

12. Any band , other than your own of course, national or local that you would recommend checking out?

Oh yeah, check out Malice In Wonderland, and if you like Guitar stuff, check out Matt Cafissi, and Neil Rambaldi.

13. Any artists you listen to that people wouldn't expect?

Yup, I'm a big Avril Lavigne fan, as well as Michelle Branch, and Billie Myers. No I'm not kidding. There's also a few old school bands I'm a huge fan of as well, INXS, Jesus Jones, and Til' Tuesday are some of my faves.

Thanks for having me!

Ty

Ty, thank you for taking a break from your busy schedule-
Firstly, how did you get into music, and more specifically the guitar?
Well before I actually got my hands on an instrument, I wanted to play drums. One of my friends had just got a Bass, and I remember picking it up having so much fun just making noise with it. I then got the opportunity to sit behind a drum kit at school one day a couple months later and that was it, I knew I needed to get my own set and get myself involved in music. Several weeks later, I got my first kit and started jamming with friends after school. Guitar came later. People would leave their guitars at my house after we'd jam and I'd fool around on them at night. After a couple years of that I could play ok, and decided I wanted to pursue it more. I traded in my drums for a guitar rig. I switched back and forth between drums and guitar for a few years until settling on Guitar exclusively in 2000.

There's clearly an 80's instrumental rock influence in your music, Vai and Satriani are two names that certainly spring to mind. Would you say these are big influences of yours, and what other artists do you look to for inspiration?
Oh yeah absolutely. The "Healed Through Time" CD is basically a direct reflection of my influences at that time (the newest track on there is from 2003, the oldest from 2001) I was a total hairband fanatic, as well as a Satch/Vai fanatic. Nowadays, honestly it's a different story. Satch and Vai are still a huge inspiration, but I'm definitely listening to and being influenced by some different artists. The Goo Goo Dolls, Lifehouse, Matchbox Twenty, stuff like that. The new material I've been working on for the next CD will move a bit more towards those influences and away from the whole 80's thing. It'll be more true to where my head and heart are at now, than when I wrote and recorded my first CD. It'll still be very much a from the heart melodic rock guitar CD, but just a bit more modern sounding.

Melody plays a huge role in your music and you play with a lot of passion it has to be said. How hard do you find it to write something refreshing every time, and how often do you write and record?
Writing with heart and feeling have been something I've strived for since the beginning. That's a big part of what inspired me in the first place. Songs like "Love Thing" or "Cryin'" from Satch, I love that stuff. Playing with feeling, focusing on big melodies, and strong songwriting I think are a magical combination. It is a challenge to keep it fresh and not repeat myself at times. I write and record more often than ever these days, as I now have a home recording setup. It's great, whenever I have an idea, bam I can capture it. I've got two brand new tracks I'm putting on the next CD that I recorded at home over the last couple of months. It's great to have the tools to capture inspiration right when it happens.
Writing music rarely comes easy though, and I may be a dry well creatively for months at a time. Then all of sudden I come up with two or three new Ideas over a weekend. I may come up with a good riff, and song structure quickly, but finding the melodies and solo's I like usually takes a while.

An Ibanez man I see? (Good boy!) Tell us about your guitars.
Oh yeah, Ibanez for life! I love Ibanez Guitars, RG's in peticular. I currently have 4 Ibanez Electrics, an Ibanez Acoustic, and a Jackson electric as well. My main guitar these days is a Blue Ibanez RGT42DXFM. It's a neck through loaded with Stan Hinesley Pickups extra hot just the way I like 'em

You have an absolutely sweet lead tone. Can we have a little insight into how you achieve it? Pickups, amps, strings, anything you use. Your entire rig basically, haha.
Hey thanks! Well for the "Healed" CD, it was very different from what I'm using now. I used to run the following Rig: Carvin Solid state power amp, Digitech GSP 21 Legend, BBE Sonic Maximizer, Elesis Compressor and EQ, Marshall Cab and I had an old Ibanez RG with EMG's in it. For the sound I was after then, it did fine.

These days I like something more warm and organic, and less saturated with effects. I've ditched that old rig entirely and now run the following setup: ENGL 570 SE Tube Preamp, Marshall 9100 Tube Power Amp, and the TC Electronics G-Force effects processor. I've also got an Xotic effects BB preamp pedal I use on the floor along with my Digitech Whammy 4, and a VOX Clyde Mcoy Wah. I switch between tones with a Rocktron Midi mate. Like I mentioned above, I use custom wound Stan Hinesley Pickups, which are passive. For strings I use Guitar Force brand "Quantum Extra light gauge" strings. And last but certainly not least, I use twin MILLS Acoustic 4×12 cabs. You'll hear the new tone all over the new material.

Now, down to a question that makes all guitarists feel guilty at some point – how much do you practice? Did you have much of a strict practice regime as you were learning or were you like me, more of a jammer?
Honestly, I have never had a specific practice routine. I've always just focused on working on songs. For me, that's practice. I play everyday, whether it's for 20 minutes, or 3 hours or more. It's consistent, and that's what I think matters. I don't read or write music, or know any scales, so sitting and running through scales for hours on end has zero appeal. I used to practice alternate picking to a drum machine for a while. My right hand is definitely my weak point and needs the work. But I can only do that for so long before I lose interest. I'd rather work on a song ya know? I'll play along to my backing tracks when I'm not rehearsing with the band for practice as well.

So what's next for you?
Finish the new CD, and play as many shows as possible. I've been juggling both for the last year. Had some hang-ups with the new recording and funding for it (got burned by a record label, but that's another story) but things are finally back on track and moving forward. I am really excited about getting the new CD done and out there for everyone to hear. Trust me, the best is yet to come!

Ty, thanks again for your time, best of luck for the future.
Thank you for the interview, my pleasure!

Purely instrumental and totally fantastic, Ty oliver brings a unique blend of artistry and ambition to the guitar that sets "Healed Through Time" apart. Driven and After Dark only serve to prove that we'll be hearing about Ty Oliver for a long time to come. Check this out for the pure joyof electric guitar.

Ty Oliver is a young ambitious shredder, who really makes his point clear enough form the first notes on the fret board. He is here to shred and fight for domination among the fastest guitar tamers in his filed of music. His debut consists of ten songs all-instrumental compositions, heavily influenced by Joe Satriani and Steve Vai (especially the latter one!), but this is quite normal as the majority of new or older guitarists pay their homage one way or another to the previously aforementioned guitar theogonic duo.

His songs and compositions range from Melodic Rock, plus some beautifully crafted ballads as well as Satriani-c speed tempo songs - carefully composed and ideal company for driving - especially by yourself. He manages to cover a really wide spectrum of emotions and this makes his work quite appealing. You also get the occasional repetitions from time to time - and comparison with other work is also inevitable here but in the end he achieves to transfer you unique feeling of musicality and sensitivity.

I think that this is one of the most promising debut guitar instrumental albums for this year. Ty seems eager enough to fight for his own recognition amongst the other mega shredders and in my opinion I think that he has quite the potential to do achieve this! His music on the whole describes happiness sadness melancholy and so on - all delivered through his six-string commandment.

Moreover, "Healed Through Time" was recorded and mixed by Matt Sotelo at Legion Studios while it was mastered by Colin Davis at Imperial Mastering. Highlights of this album can be considered - amongst the other - the following ones: "Lost In Thought", "Surrounded By Beauty", "Driven", "Race Day" and "Inside Your Heart". Just grab on your bike or car, put "Race Day" in your stereo system and play it on 10 scale!...ugh, and don’t forget the speed limit!

"Oliver could be tagged as "Mr. Harmonic," as he loves punctuating his supple single-note lines with somewhat unexpected harmonic pinches. The effect is sometimes a bit jarring, but it adds surprise, heat, and interest to what could otherwise be defined as pretty, yet conventional melodies. Good move!"

"MuMusic has conveyed magic and mystical powers since time began. From the rhythmic pounding of Cro-Magnon man, to the renaissance halls of Vienna, to the hallowed walls of pubs and clubs worldwide, music has brought soul stirring and life changing affirmation to the masses. Throughout the centuries many among these gift giving individuals have been hailed as masters, truly geniuses in their own right. And now today I have the privilege of presenting the newest name to go on this time honored list. From Santa Cruz, California, Ty Oliver. Music once again conveys magic and mystical powers via this true virtuoso.

Healed through Time is an appropriate title to Ty's debut CD, as it is full of healing and thought provoking music. Entirely instrumental in presentation, the tracks set sail on a journey of the mind and soul.

Crystal clear strumming chimes announce the arrival of "Lost in Thought". Multi-tracked guitar layers provide rich texture running the gauntlet from sweet soaring sustain to crispy clean.

"Surrounded by Beauty" is a melodic masterpiece that transcends earth and space. Mediation enhanced, turn out the lights, fire up the candles, light the incense and cleanse.

Full steam ahead, "Driven" is upbeat and well, driving. Satriani comparisons are inevitable, but this is high praise and I would think, flattering. Oliver springboards and adds his unique flair to the fret board. Take off.

"So Softly" treads with poise and passion. Echo bouncing to and fro, harmonics ring true. Down in the mix is a catchy base riff that provides the canvas for the textured layers. Sweet.

"See the Light" trips fantastically through guitar tone heaven. Just guitars and bass provide an illusion of orchestral massiveness. The precision tapping technique cascades.

Whoa there, cutting the rock loose is "Race Day". This baby churns full throttle thanks to some ass hauling help via drums and bass from Matt Sotelo. Ty's guitar work really rips it wide open as the guys create a tune for the open road.

"All My Tears" is a melancholy foray accentuated by peaks of soulful serenity. Find a quiet place.

The signature sound that emanates from Ty's guitar and rig are none the more prevalent than in the composition "Inside Your Heart". After just a few listens, to this song as well as the CD, you begin to become familiar with what is Ty Oliver. Recognition ensues and then forever will.

Let "After Dark" take you to the hidden corners and deep recesses of your being. Edgy punch brings light to a somewhat scary scenario. Rich.

Just the man and his guitars, standing naked on the horizon, is how Ty ends the offering with "Strings from Heaven". Bearing his soul, the gift giving is complete. Truly moving and beautiful. Thanks for the magic.

What I like about Ty Oliver's latest CD from the get-go is that he understands melody is king! While there are a million shredders out there, it's the heartfelt melodies that haunt our hearts and capture our minds.

The first song on the CD, "Lost in Thought" is a great example. The chorus is sweet as the memory of a teenage summer kiss. It's complex and at the same time simplistic as its melody and countrpoint weave together.

Another item Ty impresses me with are his execution of burning leads. They are well planned out, he knows where he's going and he takes you there effortlessly. Oliver has great technique and mixes tapping, legatto and picking into seamless runs and chops.
As far as the production is concerned, some of the solos seem a bit upfront in the mix for my taste and the ballance is a little one dimensional at times, but Ty's guitar playing more than makes up for that.
Ty Oliver is one of those artist that you can just hear is getting stronger with every song and we'll wager that the future holds great things for him as a songwriter and guitarist!

Am I right when I think that you new excellent album "Healed Through Time" is your debut recording, or have you done anything prior to this album?

Yes, "Healed Through Time" is my self released Debut CD. I haven't put out anything else previously.

How would you describe your music to someone who don't know you?

I would tell them it's Soulful, Melodic, Instrumental Rock played from the heart.

Who are your main influences?

Well lead guitar wise, Joe Satriani and Steve Vai are the main one's. I love Joe's ability to capture emotion, and turn it into this beautiful piece of music with a captivating melody. He's the master of tone as well. Vai is this being that seems to have otherworldly talent. Technically amazing, plays with the heart and soul of 1000 players combined, and performs on stage like no other, he's God-Like! Now I also draw a songwriting influence from more pop rock musicians as well. Johnny Rzeznick from the Goo Goo Dolls, Matchbox 20, Lifehouse, some stuff like that also has a big impact on my music. You don't hear that so much in my current CD, but I think it comes out a bit more in the new material I'm working on now. I admire an artist or band that can write a great song, as much as a guitar player who can shred up and down the neck.

Why did you decide to put out this album and what are your expectations from releasing it?

Well previous to the current CD, I was sort of unsure what I wanted to do. I switched between drums and guitar, trying to find the right path for years. I finally found my way in 2000, and started really focusing on Guitar exclusively. Around 2001, it was clear what direction I was headed, and I started writing all these Instrumental pieces that would later become some of the tracks you hear on "Healed Through Time" I released the CD in 2005, and basically hoped it would be heard and enjoyed by enough people to get my name out there ya know? So far the reaction has been very very good.

Where and how did you record the album and how long did it take?

It was recorded at my friend Matt Sotelo's (guitarist Decrepit Birth) home studio. It was project that saw several different sessions over the course of about a year and a half. There seemed to be one roadblock or delay after another while working on this CD. The recording, mixing and master were finished in 04' and it was finally released in April 05' We used EMU Paris pro for most of the tracking and mixing. I recorded two tracks myself "Strings from Heaven" and "See the Light" at home direct into a digital 8 track.

What kind of amplifiers and guitars did you use on this album and/or live?

For this CD, I recorded all the tracks using my Ibanez RG guitars. Both had EMG pickups. I plugged into my old Rack setup consisting of the following pieces, Digitech GSP21 Legend, BBE Sonic Maximizer, Elesis MEQ 230, ELESIS compressor, and a Carvin Solid State power amp. I plugged that into a Marshall 4x12 cab. I recently completely changed my setup, and now run a Marshall 9100 tube power amp, and Digitech 2112 Tube preamp. I run that into a MILLS Acoustics 4x12 slant cab. I've also just changed pickups and am using Dimarzio Evolution's in one of my guitars. This is my current studio and live setup.

Do you plan to tour to support this album, and do you think it is possible at all to tour with music such at yours unless one is already very well known?

That was the plan, and after having no luck finding a group of musicians to back me up live, I shifted focus and concentrated on promoting my music online. With that, I found myself a couple of endorsements MILLS Acoustics www.millsacoustics.com and GUITARFORCE Guitar Care products www.cleanupyouraxe.com as well as a record deal with Fastlane Records www.fastlanerecords.com I'm currently recording the next CD, it will be out next year. I've got a show coming up in January for the NAMM Convention, and I'm putting together a band for that show. I aim to get out on the road next year to really promote the new CD. I think it's possible to tour, maybe not completely on your own, but as an opener for a bigger band yes. I think you could line up several shows in different states, and pull off a little tour that way as well.

Do you also play in a band? (perhaps a cover band...)

No, this is my focus. If the right band situation came along, and some band needed a guitarist for a tour or something, then I'd do it. Other than that, this is where all my energy goes.

What is you opinion on the instrumental guitar scene? Will it survive?

I think it's doing well, but could do SO much better if it had a little more exposure. There's alot of great players out there putting out great CD's guys like Matt Cafissi, Neil Rambaldi, Tommy Merry, and Doug Doppler are really carrying the torch. The scene isn't going anywhere, there's too many guitar players out there for it to die.

What is more important, feeling or technique?

I'm more impressed with someone who plays with feeling than someone who sweeps arpeggios at warp speed. Now, I think having great technique and using it spice up well written music is what it's all about. The whole "shred" things gets way overdone, and in the process becomes almost silly. Write a good song, with a good melody, put some tasty licks in the right spots, and it has much more impact.

These days every musician seem to be member of several bands and most bands are no real bands, just studio projects. What do you think about this situation?

I think getting yourself invloved in various projects can be great, but playing live and touring is what it's all about. That's where music really comes to life.

What can we expect next from you?

Well like i said above, I'm working on the next CD right now. I've already started recording, and it will be out in 07' through Fastlane Records. Next year is the year I'm really going to focus on playing as many shows as I can to push the new CD. Stay tuned!

Anything else that you would like to add?

Thank you to all the guitar fanatics, and fans out there who read this. Thank you for listening and for your awsome support! For the latest info check out www.tyolivermusic.com and www.myspace.com/tyoliver

Thanks!!

Ty Oliver blazed onto the music scene in 2005 with his self-released debut album, Healed Through Time. It was immediately apparent to listeners that this guy was a guitar player of great intensity and technical ability, and also a musician with deep insight and passion for his guitar playing and composing.

His style can be characterized as extremely melodic, expressive, emotional, and sophisticated. In my opinion, Ty is one of the most exciting new rock players to hit the scene in years and he is clearly a guitarist that will make his mark.

Ty's debut album has gained him immediate attention and acclaim with fans and professionals in the music industry resulting in endorsements, interviews, and a recent record deal. In fact, Healed Through Time should be among your top five music purchases this year and for good reason--you're guaranteed to be blown away.

GUITARFORCE caught up with Ty to talk about his experience getting started in a career in rock, his music gear, and an upcoming studio album. You can keep up with Ty at his official Web site at: www.tyolivermusic.com/, and his MySpace site at: www.myspace.com/tyoliver

GUITARFORCE - Tell us a little bit about yourself (where you are from, hobbies, etc).
TO - I was born and raised in Santa Cruz California, spent last year in Vegas, and now living back in Northern California. Besides music, I'm a total fitness nut. I work out with weights, Mountain Bike, and pay very close attention to what I eat.

When did you first pick up a guitar and what inspired you to begin playing?
TO - When I first started playing music, I started out on Drums, with no intention of playing guitar at all. This was the fall of 1992. My friends and I would jam at my house after school and they'd leave their gear at my house. At night when I couldn't play my Drums, I'd fool around on the left over guitars. I didn't really get my own guitar and take it seriously until 1994. By then, I could play a little, and found myself really enjoying it. Enough to where I wanted to make Guitar my focus. I actually switched between guitar and drums several times until 2000, when I finally made guitar my one and only. And when I say "switched" I mean I took all my gear down to the music store, and traded it in for drums or guitar stuff.

What was your first guitar?
TO - It was a Black Peavy Tracer.

Which musicians influenced you when you started playing?
TO - When I started, I was really into Death Metal, and Thrash. So I was into bands like Decide, Suffocation, Cannibal Corpse, Death, Gorguts, etc. I loved all the technical riffing. I found it extremely frustrating to play this type of material in a band at that early in my development, it wasn't fun, it was work. That turned me off, and I eventually started taking interest in more Rock oriented stuff, from the 80's Hair Bands, to the Instrumental stuff like Satriani, Vai, Vinnie Moore etc.

Are you self-taught or did you take lessons?
TO - I'm totally self taught, everything I've learned has come from listening, and watching my favorite players. I can't read music, or tell you what scale I'm playing etc. The whole "by the book" method of guitar never appealed to me, I can't sit and learn music from a book, or sit and learn a whole song by reading tab, I'll get bored to death. It reminds me of school, or homework, no thanks. I fully respect and appreciate the schooled musician though, that takes discipline, and dedication to your art, and it's very professional.

Who are your guitar heroes?
TO - The two big one's for me are Joe Satriani, and Steve Vai. I get more influence, inspiration, and insight from Joe's music and playing than any other. Album after album, year after year, Satriani has continuously delivered the goods. He's so good at capturing feeling, I think that's what really drew me to his playing. He's the master of melody, and shredding, all rolled into one. I could go on and on about Joe. Steve Vai is the quintessential "Guitar God" Not only is he technically brilliant, he's got so much heart and soul pouring out of him and into the strings. The guy has talent like no other, his skill and dedication to the guitar and music are otherworldly. Vai is God!

How do you feel about the current trend that shredding is returning and is cool again after the dry spell during the 90s and early 2000s?
TO - I think it's great, it's certainly come a long way since the mid 90's. It got pretty bleak there for a while. I notice a big underground instrumental movement, there's a ton of great undiscovered players putting out great CD's online. As far as popular hard rock and metal, it's definitely "ok" and much more accepted to shred, and that's a very good thing. It's healthy for the next generation of up and coming bands to have that influence.

Do you like and listen to any bands that are currently on the metal scene? If so, which ones?
TO - Oh most definitely, I love all kinds of modern hard rock/metal. Some new, some a bit older. Dope, Alter Bridge, Submersed, H.I.M., Zeromancer, Silvertide, Fuel, Orgy, Murderdolls, Buckcherry, Powerman 5000, Decrepit Birth, Beautiful Creatures, and many many more...

Describe your music style or style of playing.
TO - I would describe it as soulfoul, melodic, instrumental rock from the heart, with some flashy chops thrown in for good measure.

What do you want to accomplish professionally as a musician?
TO - Actually a lot! First, I want to be the best player I can be, and I still have a lot of work to do to get to that point. I want to make my mark on the guitar world and be remembered as not only a good guitarist, but a musician that made good MUSIC. Touring is another big goal, I want to have a loyal following that always packs the house. I don't need to be rich, just be successful.

Since the debut of your CD, Healed Through Time, in April 2005, have you done any gigging to promote it?
TO - Unfortunately, I haven't been able to play any of the material live as of yet. Finding a group of guys who are willing to be just a back up band, has proven to be extremely difficult. You meet people and they want to get a vocalist, change the songs, do covers, etc. Or they're just flakes. It's very frustrating, because I'm dying to get out there and play the tunes. I've kind of shifted focus, and am just concentrating on writing the next CD for now. I'll find the right guys, it's just a matter of time.

Your debut CD was released independently through your own hard work. Have you found a record label to represent you for future albums?
TO - Yes I have, I recently signed with a great indie label, Fastlane Records (www.fastlanerecords.com) I'm really excited about working with them, as I had my eye on the label when preparing to release my current CD. I'm working on new material now, plan on heading into the studio in September, and aim to release the new CD in early '07'. I've held off on announcing the deal because the Fastlane site is getting reconstructed to reflect the new bands coming on board.

What are your plans musically for the remainder of 2006?
TO - Like I said above, I'm in writing mode. My plan is to finish the new songs, record this fall, and release in early '07'. Besides that, I'm always doing what I can to promote the current release Healed Through Time.

Describe your song writing process?
TO - I usually stumble across a riff, and then build the skeleton of the song from there. I write all the rhythm guitar parts first, then record a rough demo with a drum machine track. I'll then just jam over it until I come up with set melody lines, and solo's.

What inspires your song writing?
TO - It can vary, sadness and heartache has worked very well in the past as fuel for songs. Lately I might hear something from another band or artist I like and it just gets me in the mood to create. It's so random, I rarely pick up the guitar with the intention of writing a new song, and then come up with something. It sort of falls out of the sky, and I just run with it.

Describe your practice routine?
TO - Honestly, I have never really had a specific practice routine. The one thing I did do for a while is practice alternate picking little three note patterns up and down the neck to a drum machine, and it's been a long while since I've done that on a regular basis. I usually just noodle around and warm up a bit, then work on a new song, or practice the old one's.

What equipment did you use to record Healed Through Time?
TO - For recording, most of the tracking was done using EMU's Paris Pro. I did 2 tracks myself (Strings From Heaven, and See The Light) direct in to an EMU Darwin Digital 8 track. They were then mixed in Paris. I ran a rack set-up consisting of the following pieces, Digitech GSP 21 Legend, BBE Sonic Maximizer, Elesis MEQ 230, Elesis Compressor, and Carvin Solid State power amp, plugged into a Marshall 4x12 cab.

How many guitars do you currently have?
TO - I have 2 Ibanez Electrics. One is a White RG540DX, and the other is a Black JS Thin-Body, with an RG neck on it. It's sort of a mutt.

Do you have a favorite axe?
TO - As far as a favorite brand, I swear by Ibanez. I love both the guitars I have for different reasons. They both play great, but have different Individual feels to the necks.

What does your effects rig consist of?
TO - It recently changed. I upgraded, and simplified my setup big time. I now run a Marshall 9100 Dual Mono Block Tube 50 watt power amp, and A Digitech 2112 Tube Pre-amp Effects unit. I got rid off all that the other stuff as I felt it was just getting in the way of actual good tone. I used to swear by the rig I mentioned above in the recording process, as it did give me some killer tones. But over the last year or so I found myself really not liking the sound I was getting. It was so high end, harsh and had NO warmth. I started to want something different, something more organic sounding. So, I started to look into a new sound, and found that I needed to get myself into using Tube power, and ditch the solid state/digital stuff.

What kind of amp are you using?
TO - A rack mounted Marshall 9100 Dual Mono Block 50 watt Tube Power Amp.

What is your favorite GUITARFORCE product(s)?
TO - Everything I have received is excellent, but the one that really stands out is the Quantum Guitar strings. They're killer, super light weight and easy to play. Nice bright tone, just a great product!! Thanks!!

There’s a plethora of “words of wisdom” and “ancient proverbs” that everyone encounters in life through parents, teachers, etc. Two popularones are “First Impressions Are Everything” and the somewhat antonymous “Don’t Judge A Book By Its Cover.” If you were to visit the Web site for Northern California native guitarist, Ty Oliver (www.TyOliverMusic.com) and make a judgment based on his appearance (no offense or disrespect intended), you might assume that Healed Through Time is a “Goth” release or perhaps an all out Speed Metal release. Well, some might be disappointed to find out that Healed Through Tim is neither a Speed nor Goth release, and no two “tags” could be further from the truth in describing this all guitar instrumental offering!

First things first ... yes, the Joe Satriani and Steve Vai influences are occasionally evident throughout this release, and Ty takes no liberties in hiding these influences on his discography Web page. What this release isn’t is a bombardment of high speed picking, runs, etc. Instead of pummeling the listener with speed licks, Ty’s delivery preference is through melody and feel, which provides for a more lasting and memorable experience. Now, some naysayers might say this is just a “cop out,” but truth be told, Ty could “shred” if he wanted to (as evidenced on some of this platter’s more upbeat tracks), but prefers to remain more artistic and Melodic. When all is said and done, after a few listens of this CD, you'll will be much better off because you’ll have walked away from an entertaining experience.

The disc starts out with a strong, mid-tempo Melodic stomp in “Lost In Thought.” The strumming, guitar squeaks, growls, etc., make for a very emotional and memorable track. The from-the-heart feel and melody comes off very well, and makes this one an enjoyable summertime tune. “Driven” is a high-throttled jam, much in the vein of Satriani’s “Summer Song.” In this same class are “Race Day” and “After Dark.” All four cuts should more then satisfy the most hardcore of guitar enthusiasts.

The diversity in this disc lies in the other six tracks, which are more on the Melodic Pop or Ballad side of things. These tracks are perfect vehicles for the emotion and compassion in Ty’s playing. Each of these tracks sounds like it's trying to tell a tale or emit an emotion, almost as if the guitar is singing the lyrics (in absence of a vocalist). Some of these tracks should be perfect for a late night listen for a guitar fanatic who just wants to ease into the night, sipping Bourbon on the Rocks, or in want of something to play amid mixed company.

Bottom line, a commendable debut release that has its sights on “wooing” the listener into becoming a fan versus “pummeling” their eardrums. Ty shows he can play with melody, feel, and conviction, toe-to-toe with the big names. Ultimately, this leads to an album that holds one’s attention in an otherwise mired pool of guitar instrumental releases. His tenacity demonstrates his desire to be deemed and known as an “artist” who uses a guitar as his “brush,” versus an “athlete” who uses their guitar as running shoes.

Guitarist TY OLIVER comes out of Las Vegas/USA and he released a very nice instrumental CD, which is of course situated around his guitarwork, which is (thank God) not endless shredding, but songs with beautiful guitar melodies as if they were really songs with vocals, so the guitars are really replacing the vocals here, which I always think is a good thing. Think of SATRIANI, MACALPINE, VAI and SCHON, because in that style TY OLIVER is moving, with a bit of TOMMY DENANDER and STEVE LUKATHER thrown in for good measure. Good calm relaxing instrumental guitar melody based rocksongs, perfectly suitable to hear as background music, although you always wonder how it would sound if some AOR singer was singing on it. Best songs are “Driven” (uptempo melodic rocker), “Race Day” (another uptempo melodic rocker) and opener “Lost in thought”

If you are a hard rocker entertaining the idea of meditating, but aren’t too keen on bells and ‘Ohm’s, Ty Oliver has dreamed up an amazing solution for you.

Healed Through Time, Ty's debut independent release, is a hypnotic rock source of calming and healing guitar riffs that will relax you at the end of your day or groove you into a new one.

Oliver’s talents are undeniably remarkable. It wasn’t long after this fret slayers first indie release that he signed with Fastlane Records who will release his next album in the works.

Having taken up guitar about 11 years ago, Oliver’s rawkin’ sound and delicious licks are developed beyond what we currently hear from today’s rock guitarists and as an instrumental album, it is refreshing.

Healed Through Time consists strictly of guitar, drums and bass. After listening to the first couple tracks, the absence of vocals isn’t missed as the music honestly carries itself. But it is easy to hear the heavy influences of 80’s hair bands and the likes of Joe Satriani and Steve Vai.

If you dig a bit of old school rock or need to rock to a different beat, have a listen and a look at Ty givin’ it all he’s got!

Debut album for the american guitar player Ty Oliver. Healed through time is an album of an extraordinary beauty: 10 instrumental tracks give life to sounds of melodic rock and sounds of an harder one. Very emotional guitar parts with hints of suspance thanks to the use of lower notes. This is not just an instrumental album , Ty Oliver is such a great guitar player that he doesn't need any voice on his notes, because his six strings communicates us much more: he plays the strings of our soul! A special mention to one of my favourite songs of the album : SO SOFTLY, a warm and fascinating ballad, this song gives us such a good vibe that I've been able to feel the same with few other artists. My advice is: listen to the album and you will understand, it will be like a journey, every song will give you a different emotion thanks to the talent of this special artist. Healed through time is whatever you could ask to a guitar player: feeling, technique, passion, inventivness, energy. When you listen to such a masterpiece it's hard not to be taken away by the music born from the extraordinary hands of this guitarist. I suggest this album to everybody not only to guitar players. The album you need to have in your collection.

Hi Ty, how did you get interested in music and who were some guitarists that influenced your musical taste?

My interest in music got sparked when I fooled around one afternoon in the summer of 92' on a friend's new bass. That was it, I knew right then and there that music was what I wanted to do. At the time, I wanted to play drums, and started out with a drumkit. I switched between guitar and drums until 2000, it wasn't until then that I focused specifically on guitar. As far as guitar goes, I started out listening to, and playing alot of thrash and death metal, I really liked all the riffing and technicality of it. I then moved on to Satch, Vai, Vinnie Moore, etc. That in turn opened me up to the whole "Hair Metal" genre, I heard alot of similar playing and tones in the hair bands that I liked in the Instrumental suff, very melodic and ear pleasing.

Tell me something about your latest cd called “Healed Through Time”.

"Healed Through Time" is my debut CD released about a year ago now. It's ten tracks of Satriani/Vai influenced rock. I focused really hard on making music that had feeling, melody, and some flashy guitar work to top it all off. I wanted it to appeal to more than just guitar fans.

I’ve listened the great influence of Satch and Vai from your music and playing.

Oh definitely, Satch is my biggest influence by far. I just love his melodies, use of tone, and most of all the way he captures emotion and feeling. Vai, again he's a technical monster, but also very expressive, the guy is god like!

How do you go about composing your music?

It varies, I usually stumble upon a riff, and build around that. I'll create the rythm skeleton, make a rough demo of that, and jam over the demo until I create specific melodies and solo sections I'm happy with. Sometimes I'll hear a specific melody in my head, and transfer it to the guitar. Otherwise I'll just fool around until I'm happy with the parts.

Which kind of music are you usually listening to right now?

Believe it or not, I've been switching between the new Goo Goo Dolls CD "Let Love In" and the new Buckcherry CD "15" Both killer albums. What I play and listen to are a bit different, at the same time I definitely draw an infleunce from a songwriter like John Rzeznik.

Tell us more about what you usually use on stage and in “Healed Through Time”.

Right now I use the same rig for everything. It's a rack setup consisiting of the follwing parts, Digitech GSP 21 Legend, BBE Sonic Maximizer, Elesis MEQ 230, Elesis Compressor, and a Carvin power amp. I plug it it all in to a Marshall 4x12. I play Ibanez RG guitars, EMG pickups, Dean Markley Blue Steel Strings, and Dunlop Jazz 3 picks.

A million dollar question for you: what are three songs of other artists that you wish you had written?

Oh that's a good one, Joe Satriani "Love Thing" and "Flying In A Blue Dream" Steve Vai "Tender Surrender". Those three songs have it all, the tone, the chops, and the feeling. Doesn't get any better.

Now your cd is out and … now what are you currently working on?

Well the good news is I have just recently signed with a great independant Record Label, FastLane Records, (www.fastlanerecords.com) and they will be releasing the next CD. I'm hard at work on the new material, I have about 9 songs in the rough draft stage right now. I'm aiming to head into the studio in september, and release the new CD in 07' And as always, promoting the current release.

Now, tell me what do you think about the merchandise around the web-internet … it’s more easy to sell cd’s for an independent artist like you (and me and other!!!)? Internet is the future for these things?

Oh without the net, I wouldn't be reaching half the people I'm able to right now. It's absolutely priceless, and a HUGE help for artists like yourself and me. I love it, I think it's such a great tool for self promotion.

The interview is finished … do you have some suggestions for young guitarists?

All I can say is play as much as you can, and be relentless about it. Listen to as much music as you can, see all the live shows you can, it all helps in your developement.

Thanx and best of luck from GuitarChef!

Thank you for the support!!

5 0ut of 5 stars!!

Bellissimo lavoro questo debutto dell'americano Ty Oliver! Gia' noto nel panorama underground chitarristico e finalmente dopo una lunga attesa eccolo arrivare alla sua opera prima e lo fa con stupefacenti risultati. Questo suo Healed Through Time e' un vero e proprio omaggio al rock melodico in stile Satriani e Vai: i brani piu' interessanti sono le surf songs come Driven e Race Day, autentiche song cavalcanti con temi e soli davvero azzeccatissimi e sembra proprio di riassaporare le atmosfere stupende di Surfing... e Flying... del maestro Satriani! Il bello di questo cd sono proprio le melodie offertaci da Ty come nella ballad So Softly, vera e propria ballata da mille e una notte. Da mensionare anche la stupenda See The Light solo chitarra elettrica che la fa da padrona. Seguono ancora ballad e power balld come All My Eyes e Inside Your Heart. Invece tra ballad e rock arriva After Dark che riassume un po' lo stile e le cadenze musicali del nostro Ty Oliver. Insomma, un cd da avere assolutamente perche' se le ultime fatiche discografiche dei grandi come Satch e Vai vi hanno un po' deluso allora questo cd non fara' altro che riportarvi il buon umore, parola mia!

TTy Oliver is a great guitarist, and his talent shines though on this ten-tracker that showcases his style. Many of these songs are of a slower rock style, which is a breath of fresh air, though a few others are faster paced. Healed Through Time reminds me of Eric Johnson and Journey's Neil Schon; standouts include "Lost in Thought," "Driven," "See the Light," and "All My Tears." This is one of those CDs that you can listen to all the way through without skipping any songs. Any fan of great guitar playing will like this release.

Clear. Clean. Imaginary. These words will be imbedded in your mind once you listen to the sounds of Ty Oliver. “Healed Through Time” is an instrumental album of melodic riffs that, at times, will send you off to Never-Never land, dreaming good thoughts. “So Softly” rocks ala Steve Vai with a driving force at the high point of the song.
“See the Light” has the feel of The Police back in the day with the electric guitar work. The guitar sounds by Oliver are great, but I do not see it making as much of an impact without vocals. We have done quite a few reviews and interviews with different guitarists, and even their view is that there will never be an instrumental that will be a blockbuster seller again since the beginning era of Joe Satriani.
Ty Oliver is a fine guitarist and I liked the music a lot, but without that vocal element, I don’t see a big impact with his music. That does not mean he will not be successful; he possibly could. It is just doubtful that Oliver will reach that superstar status that I feel he could obtain if he had that added vocal element.

1. How does it happen that you're a guitarist?

I got bit by the music bug in the Summer of 92' when a frined of mine got a used bass. Until that point, I really had never thought much about playing music. Drums had caught my interest, but I didn't plan on being a musician ever. When I picked up that bass and tried playing, I was instantly hooked. I was fascinated by it and found myself wanting to get my own instrument. I got a bass, and then a couple months later, some drums. I played drums for about 2 years, and then traded them in for my first guitar rig. This was the fall of 94. My house was the Jam spot, so people would leave thier guitar rigs at my house, and I'd pick up guitars and fool around here and there. By the time I got my first guitar, I could play well enough to not completley suck. I switched between guitar and drums several times before settling on guitar in 2000.

2. You're a spitting image of Steve Vai!!! You look like him and you
play similar music!

Ha! I never once thought about that until people started pointing it out. He's a huge influence on me, so I take it as a compliment. Now, if only I had half his skill, I'd be set!

3. What is the general message behind your songs?

I strive to make music that is expressive, has feeling, and heart. I want it to make you "feel" That's the key, heart, soul, feeling. I think you get the idea.

4. What can you tell me about your gear?

Well, I swear by Ibanez guitars, and Dean Markley strings. As far as how I get my tone, I have a Rack setup consisting of the following pieces. Digitech GSP 21 Legend, BBE Sonic Maximizer, Elesis MEQ 230, Elesis Compressor, and Carvin Solid state power amp. I also have a Line 6 Spider 2x12 practice amp that I recently picked up. That thing has KILLER tone. It's making me want to switch my rack stuff from solid state to tube. If only I could afford it! I also use EMG pickups. I have had my main rig for awhile, and it has great tone, but I'm curious to try some tube stuff, to add some warmth.

5. Can you introduce the other players who played on your album?

My pleasure, Matt Sotelo, one of my long time best friends, recorded and mixed the CD, as well as played some drum tracks and the bass tracks. Matt did an excellent job, and plays circles around me on guitar, no joke! He's the founding member of the Death Metal band Decrepit Birth. Check them out www.decrepitbirth.com
The only other player was another friend of mine Jake McCuen, a great drummer, he played on Tracks 1,4,7, and 9. I'm hoping he'll record again with me next time as I love his playing.

6. Do you have any plans for the next releases

Yes, I'm already working on the material, and hoping to get a label to release it this time around. I have about 9 songs in the works. I'm aiming to record by the end of the year, and have the new CD out by spring of 07' I'm really excited about the next album, as I want to take the strengths of "Healed Through Time" improve upon them, and just offer a more solid, professional release. Ya know, just step it up a bit. Don't get me wrong, I love "Healed" I just want to take it a step further.

7. Have you ever played any live show?

Not with this music yet, unfortunatley. It's been very frustrating getting a live act together. I have gotten close a couple times, and then it just falls apart. I've been focusing on promoting the current CD and writing new material as of lately. I'll find the right guys, all in due time.

8. What is your main job? Because I don't think that it's playing guitar is enough to pick up a living.

I do shipping for a travel agency. No, guitar doesn't pay the bills as of yet. I don't expect to be rich from music. Although it would be nice!

9. Is there any specific guitar player that you like to share the stage with?

Honestly, I'd like to play a big show with some of the fellow Instrumental guys I admire that are still underground like Neil Rambaldi, Tommy Merry, or Doug Doppler. These guys are super nice as well as players I look up to.

10. Steve Vai says that guitar is the mix of features of man and woman. What do you associate the guitar with?

I love the way Vai thinks, he's so in touch with it all, and such a creative and expressive genius. I think the guitar is tool to use for ultimate _expression. I think it speaks louder and with more soul than a voice ever can. At leat it does to me.

11. Have you ever tried to pick up girls for posing for a "boy with a guitar"? ;)

No, of course it helps, but I never used guitar for female attention. I play because I love it!

12. How does the place you live determine the music that you play?

Well, I'm living in Vegas right now, and it has absolutley NO influence on me. I'm from California, and look forward to moving back soon.I don't really get inspired by my surrounding as I do by how I feel in my heart, or by hearing music I like.

13. If you had to choose between male & female vocalist for your next album, you would choose...

I could go either way, it just depended on who had the better ability. I like female vocals just as much as male.

13. Anything you would like to add for the end?

Thank you for giving me the oppurtunity to be inerviewd by your great site, and thanks to everyone who takes the time to read it! Check out www.tyolivermusic.com for more info, and music!!

After getting his hands on a friends new bass in 1992, Ty Oliver knew immediately that music was something he wanted more of in his life. Later that year Ty got his first drum kitand started jamming with some friends. In 1994 Ty took all of his drums and traded them for his first Guitar Rig. This would be the first of many times the same trade off would occur, until finally settling on guitar in 2000.Now that the instrument of choice was finally in place, Ty still had to choose between playing rock or metal. And with or without vocals. He soon decided to play instrumental music, and together with some friends Ty recorded a 3 track instrumental demo. In 2001, after a nearly 6 month layoff from guitar, and nursing a broken heart, Ty began writing some of the material found on “Healed Through Time”. Ty was really getting in touch with expressing himself on the instrument, listening to tons of Satriani and Vai, getting incredibly inspired by their ability to capture feeling and emotion. The results of all this are a debut cd filled with songs which come straight from the heart. 7 of the 10 songs are emotional played instrumental rock ballads, clearly influenced by his idols Vai and Satriani. The two songs “Driven” and “Race Day” are great up-tempo rockers. "Healed Through Time” is a very personal, emotional filled instrumental rock debut cd by Ty Olliver, clearly inspired by Steve Vai, Joe Satriani.

Rating: 9/10

"Finally! At last a reasonable instrumentalist who doesn't really care
about cloning the neoclassical, Swedish guitarists! On the other hand,
Mr.Oliver takes something after Steve Vai ;) Perhaps that's only my
impression, however the CD contains music which undoubtedly shows that there would be some 'vaiesque' playing here. Think about Vai. What's your idea about him? Easy-going compositions with phenomenal dirve? You've got it! Some crazy, out-of-this-world sound? You've got it! These are less frequent here, though. On the other hand that's good, because I won't say that I prefer Steve's stuff like Flex-Able. Simple, Rock-Driven, guitar-oriented music with the impact on, not the superfast shredding but very skillful creation of melody. It gives me some impressions about Satriani's guitar playing.

Surprisingly, the album starts with two slow-paced, gentler songs.
After those we should expect great Hard Rock ride. Clean guitar sound,
multi-layered solo guitars...Harmonizer used here and there. But I
suspect there were some overdubs. The music has a very nice 'live'
feel,and the rhythm sections sounds very natural too. I found it to be a
real pleasure to listen to this stuff. Especially when the songs like
“Driven” hit the ears. That's why I like guitar music and instrumental CDs. Even though there are no vocals and the album doesn't seem to speak in a direct way, the music itself can change the way of perceiving it, create some new visions and affect the listener in some way. Another album that sings without vocals. Short stop for the next two songs, and we've got Race Day. Here we go again! In the field of 'originality' Ty doesn't have much to boast about. Yet, oridinary, guitar-oriented rock album. But in the field of drive and feeling this guy rocks!!! Another point (but that's a private one,from me ;) for not going into neoclassical playing, but for playing with sound in his own way. That's good. Oliver is far too good instrumentalis to get limited by the neoclassical boundaries. All enthusiasts of 'older' Satch and 'younger' Steve should check this guy out!"

www.indieguitarists.com - Dec 05' Interview

1. Describe the early years of your musical roots and how your talent was nurtured.

Ah, the early years, let's go back to the summer of 92...I started out wanting to play drums, and grabbed a Bass my friend was selling, just have some kind of musical instrument. I got a drumset in the fall, and started jamming with friends after school. They would leave thier guitars and amps at my house, and at night when I couldn't play drums, I'd fool around on thier equipment for fun. About 2 years later, I traded my drums in for a guitar set-up. I switched back and forth sveral times before focusing on guitar exclusively in 2000.

2. Where there any events, people or catalyst(s) that were musically influential?

Yeah, for sure. The first was meeting my longtime best friend Matt Sotelo (Guitarist for Decrepit Birth, www.decrepitbirth.com ) The first time I saw him play, I was like "Dude, I gotta get this guy in my band" He just stood out among anyone else that played. We became frinds in 92' and he has been a giant help in where I am musically today, from gear and tone, to turning me onto guitar players and bands, and overall guitar playing. Thanks bro! And of course my two favorites, Joe Satriani, and Steve Vai.

3.What is the feel of your instrumental rock, debut CD entitled, “Healed Through Time”?

It's soulful, heartfelt, melodic, Satraini influenced Rock. I really wanted to focus on feeling, and emotion, as well as writing songs that would appeal to more than just Guitar Heads, and shred fans you know? I feel like alot of the Instrumental stuff out there now with the new crop of players online, is very one dimensional. It's overflowing with shred and technique, and that's jaw dropping and inspirational, but I think it goes over the average listener's head a bit. For myself, I hear sweep after sweep, and I'm bored. So, I focused on really writing good melodic songs, that were also expressive, and had some good guitar chops in there to top it off.

4.How involved were you in the recording and production of your debut CD?

I was very involved, as in being there and letting my producer Matt Sotelo know exactly what I wanted, and such. I'm no engineer, so Matt did all of the button pushing and actual recording. I did track 2 songs myself at home, "See the Light" and "Strings from Heaven" I then had Matt dump them into his system and mix them.

5. What recording equipment did you use?

Most of the songs were recorded using EMU systems PARIS PRO. The 2 tracks I just mentioned above were recorded using EMU systems digital 8 track DARWIN. Then dumped into PARIS, and mixed there. I had the final product Mastered by Colin Davis at Imperial Mastering (www.imperialmastering.com)

6. What guitars & amps did you use in the recording of your new CD?

For the electric parts, I used my Blue Ibanez RG, plugged into my Rack setup, consisting of the following pieces: Digitech GSP 21 Legend, Elesis MEQ 230, Elesis Compressor, BBE 462 Sonic Maximizer, and a Carvin Power Amp. This all runs through a Marshall 4x12. I used a Larrivee acoustic for some of the tracks as well.

7. How did you record the rhythm section?

The drums were played by two different people, for tracks 1, 4, 7, and 9 a friend of mine named Jake McCuen. For the remaining tracks, my it was my friend Matt. He also played all the Bass parts, except for track 5, which I did myself. The drums were a combination of electric and acoustic. It was a basic acoustic kit, with a triggered Bass drum, and electronic toms. The snare, and cymbals were the real deal. I really like a big fat kick and tom sound, so we went with the electric stuff to get it.

8. How were the rhythm guitar parts recorded?

Multi layered tracks for the Rythm guitars. The distorted parts were always at least left and right tracks for the fullest sound. The clean guitars were several tracks, with some acoustic layering in there to give it a really rich sound.

9. How is the CD being received in North America?

So far the response has been very very positive overall. People hear it, and always seem to really like what they hear.

10. Has the CD been getting any European interest?

It's received interest all over the world really. With the internet, it's easy for you to get your music heard by people everywhere.

11. Do you own your own record label and publishing company?

No, I just released the CD on my own through the website. It's now available on guitar9.com as well. Here's a direct link to the page:
www.guitar9.com/healedthroughtime.html

12. Are you currently under management and if so with who?

No, no management at this time. I've been considering looking into it recently though, as I think it would really help.

13. Have you had the opportunity to share the stage with players who you admire?

No, not yet. I'm still young though!

14. What does your live set up consist o